这部才应该叫Decision to leave. 谈话中代表了女性很多挣扎忍让、愤怒、迟疑但最终忍无可忍就应该选择反抗或离开其实故事设定本身的背景或时代不重要重要的是鼓励女性能勇敢为自己发声并能做出正确的决定该离开时就不要迟疑无论是有毒的关系不安全的生活或不幸的婚姻这部电影里可以看到女人们一直在吵架大家都有不同的看事情角度有不同观点和争吵很自然但不是因此就不能一起做大事如果要达成一个共同的目标时即使再不同的人、曾经彼此伤害过或看不惯但还是可以在关键时候团结起来产生更大的影响力 这点很重要最新伦理电影在线观看也是本片很珍贵的地方影片并非在控诉男性或挑起性别战争而是在展示女性如何团结起来不在于平时必须都是朋友或观点始终一致而在于表达出自己的想法、求同存异
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.