希区柯克的作品真的没有差的又是一个丈夫杀妻的故事像煤气灯那样丈夫都是处心积虑要置妻子于死地情节的精彩之处在于开始就预设好了所有的杀人情节让观众一目了然但在执行过程中发生了意外可就在这意外中男主将其设计成了第二个杀人案目的都是为了弄死妻子WRITE AS红肿双丘得到妻子的财产要想人不知除非己莫为总会有纰漏出来散票的大量使用让凶手露出了马脚而地毯下的钥匙就是关键key is the key!当最后男主推门进来的时候满屋子的人见证了真相大白的那一刻这感觉抽丝剥茧后的酣畅淋漓
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.