One of the most beautiful films in history. Kelly Reichardt是我们时代的塞尚画不起眼的景物和人多视角的/无视角的从印象中攫取清晰的形状和速度Kurt在街上彷徨一不小心就滑出景框Sorrow is nothing but worn-out joy.
it's rare that we see Fincher shows any real emotions, wears his heart on a sleeve like this-albeit fleetingly, albeit he retreated back to his usual nonchalant self at the end-in his movies, this is fincher's Spartacus, undoubtably