难免想到倒霉性爱发狂黄片同是罗马尼亚也都是大段的一边倒式的论辩嫁妆一牛车都是欧洲社会的割裂与隐忧为什么不写一篇论文来论述当代欧洲的经济衰退与移民危机也许是给观众一些可以共情的对象后他们可以代入思考同时我也想到英国病人里那句话“We're the real countries, not the boundaries drawn on maps”人与人之间的理解是不可能实现的唯有退让与妥协不过这电影也强化了我对欧洲电影节作品的印象:说理与批判远强于叙事与塑造
“Voguing is like a safe form of throwing shade” “Mopping is stealing. However it’s done, it’s STEALING!” 哈哈涨姿势了感觉跟last black man in SF有异曲同工之处从个体的悲欢哀乐到对城市往昔的追忆“everything changes and everything's been changing drastically, you know. New York's not even the same anymore.”